The 1983 Tasting Series #3: Dallas Dhu

In the two weeks since this tasting series began, almost as if on cue, there have been new rumblings about the Dallas Dhu distillery. As I said in the first piece in this series, the 10 distilleries closed in 1983 that have never reopened were unlikely to reopen again. Many of them share similar fates in being demolished or substantially renovated, but one of the exceptions is Dallas Dhu.

In 1988 after being closed five years, Dallas Dhu was opened to the public; it’s been operated as a museum since the early 1990s. Two weeks ago, Historic Scotland (the agency which oversees the Dallas Dhu site) was revealed to have commissioned a feasibility study to see if Dallas Dhu could resume production. The desire as stated is to have it produce as it was when closed so that the distillery museum has more of the sights and the smells and sounds of a working distillery.

In the whisky-nerd land, this is a crazy and potentially exciting update. I’m not familiar enough with these sort of processes to know how far it is from the feasibility study to the point where stills are producing whisky again, but assuming it’s like the US, I wouldn’t expect to see anything happen for the better part of this decade.

I’ve had a number of Dallas Dhus and generally found them pretty enjoyable, with nice, fruity and floral character. Unlike some other distilleries, I don’t generally feel like I need to do a lot of research on a particular bottling of Dallas Dhu before having them as I’ve found them generally agreeable.

Today’s Dallas Dhu is a Signatory decanter, distilled in 1979 and bottled in 2005 and weighing in at a whopping 60.6% ABV – guess the angels missed this cask!

The nose is light, slightly floral and honeyed, with a bit of chalkiness. There’s some white pepper as well. The palate leads surprisingly woody, with a fair amount of spiciness and verges on having too much oak for me. There’s a real abundant malt, tons of heat, and a touch of honey – and surprisingly, a sour note late.

The finish leads off very warm with pepper and malt, and has the mouth-numbing feel of Sichuan pepper. More wood on the finish as well as malt; it hangs around forever in a huge, long-lasting resolution. After a while it starts to get a little bitter.

My impression was that this was a little too hot at cask strength so I added some water to see if this would go in a more familiar Dallas Dhu direction. There was some more overt fruit on the nose; the palate had some tropical fruit, but also a confectioner’s sugar type sweetness – very sharp and pronounced.

As far as Dallas Dhus go, this one was an unusual miss for me. A little too hot at cask strength, a bit too sweet with water, and probably a touch too much wood.

Dallas Dhus have been creeping up steadily in price, but you can still find them for a fairly reasonable amount if you hunt. Then again, if the distillery reopens, in several years this may all be a moot issue.

At a glance:

Dallas Dhu 1979 Signatory – #1390 (d:8-6-79, b:4-4-05) 60.6% ABV
Light, slightly floral and honeyed, with a slight chalkiness. A little white pepper. Water adds a little more overtly fruity note.
Palate:  Wood up front with a fair amount of and spiciness, verging on too much oak. Abundant malt, lots of heat, a touch of honey. Vaguely sour. Water brings up a little more tropical fruit – but it almost gets a sugary sweetness too.
Finish:  Warm to lead, leaving pepper and malt, a little sichuan pepper and wood. Malt hangs around for quite a while. Huge, lasting finish. Dries a touch bitter.
Comment:  Hot as hell at cask strength, a bit too sweet diluted down. A lot of promise but not the best Dallas Dhu I’ve had.
Rating: B-

The 1983 Tasting Series #2: Banff

The 1983 tasting continues! Thanks to everyone who came for the first installment. I’ll be trying to publish these on Fridays or Saturdays, depending on scheduling.

This week we’re looking at Banff. If I’ve discussed whisky with you and we’ve drifted to the subject of closed distilleries, I have inevitably discussed this one with a little more intensity. Banff was my first “drink your age” whisky a couple years back, and I was blown away at the time by the really gentle buttercream vanilla notes on that particular bottle, as well as the wonderful, relaxed nose. Perhaps that bottle would pale with my malt experience since then, but that’s a discussion for a different time.

Over the last couple years in the wake of that tasting, I semi-quietly went on a Banff buying spree – up until recently they were an incredible mix of availability and value for a 1983 distillery. Banff didn’t have the lofty reputation of Port Ellen or Brora (and it can be an unusual if not polarizing whisky), but I liked the ones I’d had, so I thought I would capitalize on the opportunity.

Fast-forward a few years and now Banff is starting to command loftier prices and is a little less common. It’s still one of the most reasonably priced of the ’83s, though I suspect in the next two years, that will cease to be the case.

Banff marks the first regional shift in this tasting. We started with St. Magdalene, the sole Lowland representative; Banff is first of a set of Highland distilleries. Banff has a relatively colorful history, and almost feels like the Swamp Castle in Monty Python & The Holy Grail, plagued through its history by fires and rebuilding. The first was in 1877 when a fire damaged a large portion of the distillery requiring an extensive rebuild, which took several months.

The most notable incident happened in 1941, a warehouse was bombed by a German aircraft. This article (page 9 of the linked PDF) has a really amazing eyewitness account -

The fires (two 100kg. bombs had been dropped) spread rapidly and a rivulet of burning whisky flowed through the fallen walls and into the stream. Being lighter than water, the flaming spirit spread across the width and was carried by the flow downstream. The burning river continued out of sight behind the peat store where a steeper gradient caused turbulence which extinguished the flames.


… they had saved twelve barrels out of three hundred.


Next day the Regimental Sergeant Major, the scourge of the troops, supervised an equipment inspection including water bottles. This resulted in several non-commissioned officers being reduced to the ranks and many squaddies being confined to barracks for fourteen days.

Jock Crystal reported that his ducks were drunk, and that some of the Old Manse cows were [unable to stand up].

 That alone would be a colorful enough past, but in 1959 during maintenance on one of the stills, a spark caused an explosion that damaged the distillery and required repairs. Fortunately no one was killed in that accident.

Banff was closed in 1983 (as all of these were) and the still house has been demolished; as almost a tragicomic grace note to its history, in 1991 one of the warehouses was destroyed in a fire. Banff is certainly in the category of “lost distilleries” – any new distillery to bear the name would be built from the ground up with no usable equipment from the original.

Interestingly (and somewhat in response to the question around St. Magdalene), Banff did practice triple distillation for a while, though the process ended in the 1920s.

Enough history for now: what about the whisky?

This bottle of Banff is from K&L’s 2011 bumper crop of exclusive bottles and was one of the stars of that productive trip (though eclipsed by the Ladyburn which sold out way before it arrived, as well as the Chieftain’s exclusive Brora from the same trip). This bottle is part of the Duncan Taylor Rarest of the Rare series, which I’ve had multiple bottles from and can’t think of a single one that I haven’t enjoyed. Alongside Signatory’s cask strength decanters, I’m usually willing to give the Rarest of the Rare a chance if I haven’t seen reviews for a bottle.

This was distilled in November 1975 and bottled in May 2011; cask 3353, at 45.2%. Interestingly a sister cask was released in the summer of 2001 – 3352 – as a UK release.

The nose on this Banff is initially sweet, with some malty notes and a touch of honey. There’s an overall dusting of white pepper and some wood in the background.

It’s got a nice mouthfeel, that bigger, slightly oily kind of whisky. It leads with a fair dose of wood, and has some flintiness to it that’s not unlike older whiskies I’ve had (in terms of distillation date, not time in wood). It’s slightly mineral which just adds a nice dimension. Some of the sweetness of the nose comes through; faint dried oranges and apples. It’s big and bold overall, and the wood creeps up with time.

The finish is warm and with plenty of white pepper; the minerality and a little malt comes along.

It’s a big, bold whisky that hits the spot for me. It’s really enjoyable, and the minerality harkens back to an earlier style of whisky.

This will not be the last time Banff is covered in depth here. As I mentioned, I acquired several bottles. At some point in the future (timing still to be determined), I will go through those as part of a project to do a deeper dive on Banff’s output.

At a glance:

Banff 1975 – Duncan Taylor Rarest of the Rare, K&L Exclusive Cask #3353
Distilled 11-1975, Bottled 5-2001 45.2% ABV
Nose:  Sweet initially with some malty notes and a touch of honey; white pepper all over, a little wood.
Palate:  Nice mouthfeel, leads with a fair dose of wood. Some old-style flintiness to this one, mineral. A little sweet – a faint hint of dried orange and apple. Big and bold. Leans a touch bitter with time.
Finish:  Warm with white pepper, again a slight hint of minerality.
Comment:  Quite big and bold. Really enjoyable. The mineral notes remind me of older (distillation date, not age) malts.
Rating: B+

The 1983 Tasting Series #1: St. Magdalene

The year: 1983.

Then, as now, it was a tumultuous time. The globe had been in the grip of recession, the middle east was unstable, and if you wanted to take a Tylenol to just deal with the headaches day-to-day life brought, you still were a little wary of the recent potassium cyanide poisoning.

And the whisky industry was in the height of the whisky glut. The whisky industry faced its own set of austerity measures: A severe cutback in production, with many distilleries closed. We’ve seen some come back since then, but ten distilleries were shut and are unlikely ever to return, especially with a trend towards consolidating production at mega-distilleries.

Over the next several weeks, I will be looking at a sample of each whisky. I’d planned this tasting a couple years ago (and fortunately at that time many of these were cheaper to acquire). As the time drew near to do this tasting, it seemed wasteful and gluttonous to hoard this whisky strictly to myself. Several friends have gotten in on this tasting and you may hear other impressions from them as this tasting progresses.

The ten distilleries that were lost in 1983 that we’ll likely never see a new whisky from are Banff, Brechin (North Port), Brora, Dallas Dhu, Glen Albyn, Glen Mhor, Glenlochy, Glenugie, Port Ellen, St. Magdalene (Linlithgow). Some of these are relatively common (though increasingly pricey); some of these have all but vanished. I’ve had some of these before and some will be new.

This is not an exercise in flash, superiority, or any sort of whisky elitism. It’s a theme tasting I’ve wanted to execute for a while, and the time has come. My goals for this will be twofold: To have, if nothing else, a “last word” on some of these for myself (accepting that I may already be priced out of future editions), as well as to try and compare these to modern malts as a base of reference. As we know, distillery character can be very distinctive and some distilleries are just one of a kind.

Distillery #1: St. Magdalene – Lowland
Ultimate fate:
Converted to apartment buildings

Also known as Linlithgow (for the town it is located in), St. Magdalene is unique in this tasting as the only Lowland distillery. The bottle representing St. Magdalene is the 2009 Dun Bheagan bottling, distilled in October 1982. It’s 26 years old, and comes from cask 2219. Many reviews of this bottle exist online and, yes, you can still find this bottle for sale.

The nose on this is light and somewhat floral, with a touch of confectioner’s sugar. It’s got a certain white wine sourness to it which dissipates after some time in the glass. It has light wood influence, peppery spice, and some lemony notes emerge. With even more time in the glass, vanilla starts to come out a bit, as does a very faint touch of leather. All in all, a relatively light nose for a 26 year old whisky.

The palate enters a touch bitter from the wood; it gives way quite quickly to a general maltiness and some white pepper. There’s a faintly floral top note and then the heat picks up. Subsequent sips reveal some lemon curd and ginger – actually probably the most distinctly gingery taste I think I’ve ever gotten from any whisky.

The finish is dry initially with a touch of wood, some white pepper and plenty of malt. A little vanilla is there; there’s a hay quality to it and some straight-up barley. It goes to a slightly root-vegetable note at the end, in a long and lasting finish.

This whisky isn’t one I’m particularly crazy about; the sourness on the nose and the questionable cask influence didn’t work for me particularly well. Other bloggers have noted this whisky is one that can be hit or miss from session to session. I can certainly believe it – I wasn’t enjoying the bitter and winey notes, but the lemon and ginger (and overall quality with substantial time in the glass) were nice.. just not nice enough to overcome all the negative qualities I perceived.

What’s like this? Hard to say, because I haven’t ever had anything with quite a pronounced (to my palate) ginger note. I’ll keep looking; unfortunately this one seems fairly unique to me. I’d love to hear what anyone thinks about this one.

St. Magdalene is regarded as one of the better closed distilleries, and I must confess after my first contact with it that I’m not entirely sure I get it. I have at least one other bottle in reserve for the future, so that may be the eye-opener.

Next week, the 1983 series moves to the Highlands.

At a glance:

St. Magdalene – Dun Bheagan 10-82 – 2009 (26y) #2219 50% ABV
Light, somewhat floral with a touch of confectioner’s sugar. Also a bit white wine-like. A little wood, some light peppery spice; lemony notes emerge. Over time more vanilla emerges; a faint touch of leather too.
Palate:  Enters a touch bitter from the wood; gives way rather quickly to maltiness and some white pepper. A faintly floral top note and the heat picks up. A little lemon curd and a touch of ginger.
Finish:  Dry initially, a touch of wood, some white pepper and plenty of malt; a touch of vanilla, a little hay and some straight-up barley. Has a slightly root vegetable note at the end. Quite lasting.
Comment:  This benefits greatly from some time open in the glass. To me it starts a bit sour and weird but the air really brings it into focus. While it does develop nicely, it also doesn’t quite develop enough.
Rating: B-

Son Of The Port Ellen Doubleheader

In 2011, I did a head-to-head of two Port Ellens – both really nice but not world-beaters. The McGibbons Provenance 27y from that taste-off was certainly the winner. Late last year, I said a likely goodbye to new Port Ellen purchases due to market inflation, and recalled my favorite Port Ellen (and possibly favorite whisky), a 12 year old MacArthur bottling from the early to mid 1980s.

A few weeks ago, a fun opportunity presented itself to try the very bottles I’d written off as my breaking point for individual purchases – K&L’s single cask pick,bottled by Sovereign, and the official 12th release Port Ellen from Diageo. There was a debate in LAWS to see which might be desired for an upcoming event, so the decision was made to simply have a taste-off. Through a comedy of errors, I wasn’t able to make it to that event, but had quite large pours reserved.

In the days that passed, it became clear that this was a hotly debated topic among LAWS; it was basically deemed too close to call. Would Sku and I mind terribly if our samples were blinded?

Would I mind? Hell no, I’d love it!

These two are both old whiskies – 30 year for the Sovereign K&L and 32 for the Diageo bottling. The K&L is vastly more limited, being from a single cask, with a bottling run just slightly more than 5% of the total Diageo run this year.

Now, I’d had a very small taste of the Sovereign from K&L, and my impression had been that it was rather middle-of-the-road at the time. This was however based on quite a small sip and it was nothing I’d ever feel comfortable assigning a score to or standing very firm on my assessment of. As a result I never really mentioned it. It was certainly nothing that I could place in my taste memory in a tight lineup of Port Ellens.

I started with Sample “A”. It was lighter than expected and to my nose, surprisingly fruity for a Port Ellen. It had a little waxiness that was not exactly, but not far off what I associate with older Clynelishes. There was a little lemon and a touch of pear. Some sweet maltiness floated around, and there was a lot of well-developed, seasoned oak. It didn’t seem astonishingly peaty and leaned a little more sweet – not unexpected; peat can have a pronounced fall off after 20 years in the barrel.

The palate was oily and spicy, with a touch of white pepper, a fair amount of oak, some waxy wood polish character to it, dried apple skin, and some faint, roof-of-the-mouth smoke in the background.

The finish had some of the tarry/diesel notes I commonly associate with Port Ellen, and then surprised with a brief zing of mint. There was a fair bit of wood and a waxy apple note.

Good, not the best I’ve ever had, but good. Saving some for later given the split decision nature floating around.

Sample “B” went into a clean glass.

The nose on B was lemony-sweet with some nice malt and a little hint of leather, with a touch of diesel.

The palate opened with a really great creamy mouthfeel, and a fair bit of wood. There was malt underneath and some white pepper, with a late hint of pears again. There was light peat, and it was more of a shading on everything else than a main note – in a way reminding me of older malts from the mainland in the 50s and 60s. After a while it gave way to more malty sweetness.

The finish had some light smoke and a faintly industrial quality. There was a bit more of the pear taste; it was a surprisingly clean finish.

Again, a good whisky; not the best I’ve had but definitely in the ballpark. These two were different beasts and played on different aspects of Port Ellen. I gave my palate a rest and revisited later with dueling pours again. The differences stood out much more at this point and I had a better sense of the two.

Whisky “A” had quite a bit of waxiness to it and I just kept thinking “old Clynelish”. It’s not the same thing, but it had a similarity I couldn’t deny. There was tons going on and it was really dense. It was also pushing the limits of its age; having perhaps a fading vitality, but the spiciness kept it interesting and it gained momentum as it went on.

Whisky “B” was a more straightforward affair, showing some of the underlying spirit characteristics that can be masked by peat even in 25 year old whiskies. It was not an overly-complex whisky, but a stunningly easy drinker. It reminded me in ways of the better whiskies from decades ago, with smoke integrated nicely without overwhelming things.

I could see the difficulty in deciding and why this was a split decision. In all honesty in my opinion, I think I could go either way on these, but to me the complexity of whisky “A” was ever so slightly my favorite. “B” was fantastically drinkable but a variation on a theme I’d had before. “A” was good and dense, if slightly tired in its old age.

The bottom line, I think, is that if you have this kind of cash available and you have your heart set on either one of these bottles, you won’t be disappointed. They’re a little better than average for a Port Ellen.

This morning, I got an email from Sku with his preference. It seemed, unsurprisingly, that we split evenly on the blind tasting, with his preference being Whisky B. This just goes to show how evenly matched these whiskies are: some die-hard whisky lovers in LAWS who have sampled far and wide are pretty much evenly split on these two. As for me, given the choice, I think I’d pour a little of Whisky A.

So what are they?

Whisky A: Port Ellen 12th Release (Diageo Official) – 52.5% ABV 32y
  Light and surprisingly fruity for a Port Ellen. A little waxiness that’s not far off Clynelish. A little lemon, maybe even a touch of pear. Some sweet malt, a fair amount of well-developed, seasoned oak. Not a lot of peat. Sweet in general.
Palate:  Oily and spicy, a touch of white pepper, a fair amount of wood, some waxy wood polish kind of notes, dried apple skin, and a little faint background smoke.
Finish:  A little smoke with a hint of tarriness and diesel, a little quick hint of mint for a second, a fair bit of wood and the waxy apple note.
Comment:  This, for all the waxy notes initially, makes me think Clynelish. It’s definitely on the far edge of what’s vital, but a little spice keeps it interesting. Picks up nicely as it goes on.
Rating: A-

Whisky B: Port Ellen 30y, Sovereign, K&L Exclusive. 51.90%
Lemony-sweet with some nice malt, a little hint of leather. A touch of diesel.
Palate:  Creamy mouthfeel, a fair bit of wood. Some malt underneath, a little white pepper. Some pears start to come through late. Light peat, almost more of a shade than a main note. After a while a little more malty sweetness.
Finish:  Some light smoke and a faintly industrial touch. A bit more of the pear-type note; quite clean.
Comment:  Quite a gentle Port Ellen; a really great mouthfeel.
Rating: B+

Compass Box Week, Er, Fortnight – The Peat Monster

Many apologies for the delay in closing out the slightly-longer-than-a-week Compass Box Week. February seems to be my month for home IT failures and this February was no exception. I tend to have a limit to how much I’m willing to deal with and this pushed me into full-bore disgust. Any energy I would have devoted to typing up even a quickie review ended up going towards race prep and everything involved with that.

As a brief review, the last few notes I’ve posted have been reviewing the core range of Compass Box – Hedonism (Blended Grain), Asyla (Blended), Oak Cross and Spice Tree (both Blended Malt). The final entry in this range is The Peat Monster, an ambitiously named whisky, but in a world of Octomores and Supernovas, is it really a “Peat Monster”? We’ll see.

The Peat Monster has a lightly lemony and slightly malty nose with a pretty well-balanced level of peat. It’s not some sort of untamable beast of peat; it’s just fairly well-peated. It’s got a bit of the rubbery note I associate most strongly with Caol Ila, and a surprising bit of young whisky vegetal tones in there. Not overpowering but definitely noticeable to me.

The palate is big and full with some oiliness; a little black pepper and chili oil, some rubbery notes, dry campfire smoke and a slightly diesel/tarry industrial quality to it. There’s some barley in the background too.

The finish starts warm and has some dry campfire smoke and chili oil. It stays smoky, but then gets sweeter with some maltiness. It’s also got a nice mouth-and-tongue Sichuan peppercorn tingle to it.

The Peat Monster isn’t a “monster” in the sense of a double-barrelled blast of peat that knocks you down at 40 yards. It’s just a full, slightly wild ride with some heat and a little bit of youth and a ton of different peated characteristics. Its a nice mix, but based on the asking price I see these days I don’t know that I’d consider it superior to the single malts available from Islay these days. However, variety is the spice of life…

Overall, Compass Box has an interesting range. In general I’ve been more pleased with their limited releases; Spice Tree is also a fantastic whiskey that I think manages to take a good thing (Clynelish) and make it better in an affordable way.

If you’re hungry for a change, I think it’s worth testing the waters.

At a glance:

Compass Box The Peat Monster 46% ABV
  A lightly lemony, slightly malty nose with a pretty well-matched level of peat. Not as beastly as the name suggests; a little rubbery note; maybe just the slightest hint of young whisky with a slightly vegetal note.
Palate:  Big and full mouthfeel, somewhat oily, a little pepper and chili oil, some rubbery notes, dry campfire smoke and a hint of a diesel and tar type industrial note. A little barley in the background.
Finish:  Warm at first; dry campfire smoke, a little more chili oil, stays slightly smoky and then gets a little sweeter with some malt after a moment. A pleasing sichuan peppercorn tingle too.
Comment:  Nice mix of peat from Islay. It’s good but at the asking price these days I think I’d still rather buy a single malt of almost any distillery and pocket the change.
Rating: B

Compass Box Week, Days 3 & 4: Oak Cross & Spice Tree

In continuing the blitz through the Compass Box range, today our attention is turned to two of their blended malts: Oak Cross and Spice Tree. Both of these use special wood treatments to achieve a unique profile – Oak Cross has secondary maturation in casks with new French oak heads; Spice Tree has French Oak heads on their casks as well, but the heads are heavily toasted.

Being blended malts, without a grain component, the basic expectation is to have a slightly more robust whisky. Let’s see if that holds up.

Compass Box Oak Cross 43% ABV
Malt and a trace of white wine, some vanilla, light fruit cocktail notes.
Palate:  Slightly woody upfront, a little light black pepper and spice, a touch of green wood, light tobacco, a little orange liqueur, some faint fruitcake notes (sitting on a table in a different room).
Finish:  Spicy with a little more tobacco upfront, a little warmth, and that orange liqueur note follows through.
Comment:  I don’t think the nose really indicates what lies within. The tobacco notes on this one are really nice. The bitterness on the early palate keeps this from being a clean B though.
Rating: B-

There’s a little more to Oak Cross than the nose suggests. While the nose seems like a million forgettable inactive cask whiskies, there’s a really nice tobacco presence. Unfortunately, there’s some bitter wood that runs this one off track for me. What about Spice Tree?

Compass Box Spice Tree 46% ABV
Floral and fruity with pears, but also a notable light waxiness. Light vanilla and a touch of orange.
Palate:  Waxy, lightly spiced – a light mix of white pepper and Sichuan peppercorn, a very faintly smoky wisp. Moderate fruit, more dried than young and aromatic.
Finish:  Wood initially, nice bold oakiness and some pepper, with light apple skins.
Comment:  This just screams Clynelish, but with more dimension. A really nice one. Great body.
Rating: B+

Spice Tree is really great. I’m a sucker for Clynelish; the waxiness I get off of it is a really nice, rich note that conveys age (and also helps promote a weightier mouthfeel) without being over-oaked or tired. This takes the tried and true Clynelish profile and adds a little more spicy zip to it with some nice heat on the mouth and tongue. Honestly, this is one of the first blends in a while where my reaction was “I need to buy a couple bottles of this!”

Spice Tree is a heck of a great blend and one that will definitely have a spot on my bar in the future.

Compass Box Week, Day 2: Asyla

Since I’ve mentioned Compass Box so frequently and copiously referenced them in the blends article, I’ve decided to take a couple days to look at the various offerings from Compass Box. Last time I looked at Hedonism, a blend of grain-only whiskies. Today it’s Asyla (from the older, less art-deco-inspired box), which is a “Blended Scotch Whisky”: a blend of malt and grain whiskies from different distilleries. Compass Box says it’s made with 50% malt and from first fill American oak barrels, which push us toward a lighter whisky.

And bottled at 40%, it’s definitely light.

Compass Box Asyla, 40% ABV
Nose:  Light, with a nice mix of floral fragrance and gentle vanilla. Faintest tickle of white pepper. Light honey, but fairly thin and a touch watery. Becomes a little more overtly fruity in a Balblair direction with some air.
Palate:  Woody and slightly bitter initially, with a touch of young wood; develops into a little maltiness with some faint chili oil, still that green wood note. A bit of a straight alcohol note too.
Finish:  Vanilla and some pepper, a little bit of wood.
Comment:  It’s not bad at all. But it’s so vanishingly light and balanced with an odd heat that it’s kind of… well.. ho-hum.
Rating: C+

I’ve had Compass Box whiskies I’ve liked; Asyla, generally speaking, isn’t really one of them. It’s just a little too light. Maybe it’s great as a mixer or for the served-cold set, but I think we’ve long established that isn’t really the territory covered here. As a summer whisky and an aperitif it could work though, but it’s going to be quite light.

Don't be a'feared of the brown spirit!